Cala began as a study in stillness and inwardness—a hand resting on the chest, not as a symbol, but as a gesture of turning toward the self. The name means inner beauty, and that became the premise: a figure cracked and broken on the outside…

I spend months experimenting with new techniques, navigating a process defined by trial and error—mostly error. It’s in my nature to push the boundaries of my materials, testing their limits until they reveal something unexpected. This approach is costly; many sculptures fail along the way. But occasionally, a piece emerges that feels complete, as though it has weathered and survived the transitions I’ve imposed.