This sculpture began as a reclining male figure, originally shaped in Chavant NSP—the same form I used to create Emrys. I occasionally revisit a mould, never more than five times, before destroying it. This time, instead of porcelain, I cast the piece in terracotta, giving it more thickness and weight.

It was made in Portugal, bisque fired to 900°C…

Cala began as a study in stillness and inwardness—a hand resting on the chest, not as a symbol, but as a gesture of turning toward the self. The name means inner beauty, and that became the premise: a figure cracked and broken on the outside…