works
made in portugal in bisque porcelain, these sculptures use the figure to look past the social mask, toward what is protected underneath: vulnerability, unperformed feeling, and the cost of concealment. the work treats these as lived conditions rather than themes.
emrys
untitled
kairos
pudor
veritas
statement
i create figurative work in oil and ceramics. for years i practised restraint as control: surface, mark, outcome. i chased “just right” for an invisible audience. it was fear doing the work.
the fear became a method, and the method became a filter. i’m breaking that. i’m leaving evidence, letting pressure and revision remain, refusing to tidy the work into safety. unfiltered, not careless.
bio
born in uganda and raised across africa, the united states, and europe, i’ve worked in social services and volunteered on mural and community projects. i trained in sports massage and holistic massage, which shaped how i understand the body through touch and pressure. these experiences have informed the work, sometimes as friction rather than inspiration. i live between locations. the work follows.